vii CHURCH OF THE THEOTOKOS PAMMAKARISTOS 155 the three centre sides being filled with a triple window with carved oblong shafts and cubical capitals. Internally the church is divided by string-courses at the abacus level of the columns and at the springing level of the vaults into three stories. The lowest story is now pierced by Turkish windows but was originally plain ; the middle story is pierced by single-light windows in each of the angle compartments, and in the cross arm by a three-light window of two quarter arches and a central high semicircular arch, similar to those in the narthex of the Chora. The highest story has a single large window in the cross arm. To the east the benia arch springs from the abacus level and all three apses have low vaults, a somewhat unusual arrangement. This allows of an east window in the tympanum of the dome arch above the bema, The dome is in twelve bays, each pierced by a window and separated by flat projecting ribs. It retains its mosaics, representing Christ in the centre surrounded by twelve prophets. Each prophet holds in his hand a scroll inscribed with a characteristic quotation from his writings. The drawing^ for which I am indebted to the skill and kindness of Mr. Arthur E. Henderson, gives an excellent idea of the scheme of the mosaics. Speaking of these mosaics, Diehl remarks that we have here, as in the Chora,, indications of the Revival of Art in the fourteenth century. The Christ in the centre of the dome is no longer represented as the stern and hard Pantokrator, but shows a countenance of infinite benignity and sweetness. The twelve prophets grouped around Him in the flutings of the dome reveal, in the variety of their expressions, in their different attitudes, in the harmonious colours and elegant draping of their robes, an artist who seeks to escape from traditional types and create a living work of his own.1 The narthex is in three bays covered by cross-groined vaults without transverse arches. The lower window is a Turkish insertion, and above it, rising from the vaulting 1 Manuel d'art by^antln^ p. 742.